{"id":173,"date":"2025-06-24T11:12:37","date_gmt":"2025-06-24T11:12:37","guid":{"rendered":"https:\/\/inkofimpact.com\/?page_id=173"},"modified":"2025-09-02T10:08:32","modified_gmt":"2025-09-02T10:08:32","slug":"my-books","status":"publish","type":"page","link":"https:\/\/inkofimpact.com\/?page_id=173","title":{"rendered":"My Books"},"content":{"rendered":"\n
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The Child She Left behind By Juhi Jindal<\/h3>\n\n\n\n
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Summary:<\/h5>\n\n\n\n

This is not just the story of Ashima.<\/p>\n\n\n\n


It is the voice of every girl who grew up too soon\u2014in silence, in fear, in shadows.
It is fiction born out of fact\u2014created not from imagination, but observation.
I first met Ashima in Delhi.<\/p>\n\n\n\n


She was a 9-year-old girl crying behind a closed door. Her father, an alcoholic. Her mother, broken and bruised. One day, her mother, exhausted by violence, said something in anger<\/p>\n\n\n\n


\u2014 \u201cI\u2019m stuck in this marriage because I have children.\u201d
Ashima heard it. She believed it. She blamed herself.
I left that house, but she never left me.<\/p>\n\n\n\n


Weeks later, I found her again \u2014 not in form, but in spirit \u2014 in a quiet 13-year-old girl with pale, grief-filled eyes in a mountain village. Her silence was heavy, familiar. The trauma was the same. The story, rewritten in another setting.
As I travelled across cities, villages, classrooms, shelters, and homes, I met hundreds of Ashimas \u2014 all carrying the same pain in different bodies. All unheard. All forgotten.<\/p>\n\n\n\n


And that\u2019s when I knew \u2014 I had to write.
Not one story, but a voice to validate them all.
To tell them they are not alone.<\/p>\n<\/div>\n\n\n\n

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Themes:<\/h5>\n\n\n\n

Childhood trauma<\/p>\n\n\n\n

Parental neglect and alcoholism<\/p>\n\n\n\n

Emotional abuse in relationships<\/p>\n\n\n\n

Mental health and depression<\/p>\n\n\n\n

Addiction to validation<\/p>\n\n\n\n

The search for belonging<\/p>\n\n\n\n

Forced marriage and societal pressure<\/p>\n\n\n\n

Suicide and silence<\/p>\n\n\n\n

Intergenerational pain<\/p>\n\n\n\n

Art as an emotional outlet<\/p>\n<\/div>\n\n\n\n

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This isn\u2019t just a book \u2014 it\u2019s a voice.<\/h5>\n\n\n\n

Get your hands on The Child She Left Behind<\/em>, now available on Amazon.<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Wife Material: Tears, Tolerance, and Thappad\u201d by Juhi Jindal<\/h3>\n\n\n\n
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Summary:<\/h5>\n\n\n\n

After finishing my first book, The Child She Left Behind, something unexpected began to happen \u2014 the stories I had written down started staying with me longer than they should have. The trauma of others began to live inside me, as it often does with artists. I was emotionally full, and I needed to breathe.<\/p>\n\n\n\n


So I travelled to Landour, Mussoorie, to meet the man whose words once gave me comfort, Sir Ruskin Bond. But the meeting didn\u2019t happen. Instead, I found something else.<\/p>\n\n\n\n


Another story. Another silence.<\/p>\n\n\n\n

I met Ameha, a 58-year-old woman who seemed like any ordinary local. We met late one evening while I was searching for food. What began as a small conversation soon became something life-altering. In her quiet, matter-of-fact voice, she told me a story that changed the way I understood grief, womanhood, and survival.<\/p>\n\n\n\n


When her husband died, she didn\u2019t shed a single tear. Not because she didn\u2019t feel anything \u2014 but because this time, she chose to feel herself. After decades of enduring a violent marriage, of being physically assaulted, of being forced
to become a mother at 17, of cleaning her husband\u2019s urine and wounds while being told it was her duty \u2014 she had reached a point where crying didn\u2019t mean weakness anymore.<\/p>\n\n\n\n


It meant repeating the cycle. And she refused.<\/p>\n\n\n\n


She did everything society expected of a \u201cgood wife\u201d \u2014 except win the imaginary Best Wife award that women like her are promised but never given.
This book is not about domestic violence alone.<\/p>\n\n\n\n


It is about the deep conditioning of women to tolerate pain, to glorify sacrifice, and to remain silent for the sake of family, children, or respectability.
Through Ameha\u2019s story, and others like hers, Wife Material: Tears, Tolerance, and Thappad holds up a mirror to what women are taught about love, duty, and endurance. It questions the unspoken checklist that women are forced to live up to \u2014 and what happens when they finally refuse.<\/p>\n\n\n\n


This is not just a story.
It is a rebellion in prose.<\/strong><\/p>\n<\/div>\n\n\n\n

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Themes:<\/h5>\n\n\n\n

Domestic violence<\/p>\n\n\n\n

Marital rape and physical abuse<\/p>\n\n\n\n

Early forced motherhood<\/p>\n\n\n\n

Emotional numbness and suppressed grief<\/p>\n\n\n\n

Patriarchal conditioning<\/p>\n\n\n\n

Gender-based expectations in marriage<\/p>\n\n\n\n

The myth of the \u201cideal wife\u201d<\/p>\n\n\n\n

The burden of duty and sacrifice<\/p>\n\n\n\n

Reclaiming self-worth<\/p>\n\n\n\n

Generational silence around abuse<\/p>\n\n\n\n

The glorification of tolerance<\/p>\n<\/div>\n\n\n\n

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She didn\u2019t cry \u2014 she chose to feel herself instead.<\/h5>\n\n\n\n

Get your copy of Wife Material: Tears, Tolerance, and Thappad<\/em> and discover the story of quiet rebellion, resilience, and what it truly means to be “wife material.<\/p>\n\n\n\n


Available now on Amazon.<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n

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Shop now<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n
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<\/p>\n","protected":false},"excerpt":{"rendered":"

The Child She Left behind By Juhi Jindal Summary: This is not just the story of Ashima. It is the voice of every girl who grew up too soon\u2014in silence, in fear, in shadows.It is fiction born out of fact\u2014created not from imagination, but observation.I first met Ashima in Delhi. She was a 9-year-old girl […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-173","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/inkofimpact.com\/index.php?rest_route=\/wp\/v2\/pages\/173","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/inkofimpact.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/inkofimpact.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/inkofimpact.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/inkofimpact.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=173"}],"version-history":[{"count":8,"href":"https:\/\/inkofimpact.com\/index.php?rest_route=\/wp\/v2\/pages\/173\/revisions"}],"predecessor-version":[{"id":410,"href":"https:\/\/inkofimpact.com\/index.php?rest_route=\/wp\/v2\/pages\/173\/revisions\/410"}],"wp:attachment":[{"href":"https:\/\/inkofimpact.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=173"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}